reallyrather


February 2002 March 2002 April 2002 May 2002 June 2002 July 2002 August 2002 September 2002 October 2002 November 2002 December 2002 January 2003 February 2003 March 2003 April 2003 May 2003 June 2003 July 2003 August 2003 September 2003 October 2003 November 2003 December 2003 January 2004 February 2004 March 2004 April 2004 May 2004 June 2004 July 2004 August 2004 September 2004 October 2004 November 2004 December 2004 January 2005 February 2005 March 2005 April 2005 May 2005 June 2005 July 2005 August 2005 September 2005 October 2005 November 2005 December 2005 January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 August 2007 September 2007 October 2007 November 2007 December 2007 January 2008 March 2008 April 2008 May 2008 June 2008 July 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 March 2010 April 2010

email

Powered by Blogger


   Monday, January 27, 2003  
Minor miracles of our age No.418:
Feb 17 is most definitely a landmark day in the capital and no, it's nothing to do with it being Day One of the Congestion Charge. Direct from Philadelphia, her-e-e-e's Denison! Yep, as trailed earlier, blog hero Denison Witmer plays a debut acoustic date at the 12 Bar. A dealer in the choicest coffeehouse consolations, he's making the effort and so, really, should you...

Almost a month gone and still to make your first new music purchase of '03? reallyrather may have just the thing. Though there are some promising releases on the horizon, 2002 music will inevitably hang around for quite a while yet, particularly given the slow creep of self-released albums such as ...Current or the tide by an oufit calling itself Narrowcasting. Conflating the handful of reviews this record has so far picked up, '...Current Or the Tide is a fully realized collection of anti-folk songs...melodic rock with a dreamy haze circling around it...a miraculously solid album...seems to fall right into that area that Gram Parsons called "Cosmic American Music."' Given the way this recording apparently came together, 'miraculous' isn't too much of an overstatement. Briefly, American Charles Maynes spends time in Moscow, hooks up with a few musically kindred spirits in his downtime and together they assemble their compositions on a 4-track for total cost of about $100. Totally embarrassing bands spending thousands of pounds on studio time, this ad hoc ensemble evince the same kind of musical and sonic surety as, say, Gingersol did on their first full album.
Where Nothing stops moving had a rootsy undertow, Narrowcasting's music leans folkwards. A fine mesh of acoustic & gnarly electric guitars fleshes out many of the tracks, topped off here and there by some deft, ambient solos. That the only cover in the set, Big Star's Blue moon, seems here to be melodically a bit below par is some indication of the standard maintained. At the heart of the collection are a set of chimey, shimmering pop-rockers - Paris air show, Someday Looking St. and Ostankino - with distinct echoes of the likes of REM and the Vigilantes of Love. There's some whooshing, driving indie-pop in Foreign corresponding, dreamy ambient folk (title track, If and I...) and Without a map has a great little Santo&Johnny-esque guitar solo tapping into the same retro vein Richard Hawley is currently mining. Scratching around for negatives, some of the vocals/lyrics are slightly indistinct and the instrumental A seconding salvo comes over a bit Dave Matthews in places, but only a bit! An unassuming little marvel, ...Current or the tide is pretty well unreservedly recommended. Buy it at CDBaby or better still send your $15 to Charles direct...

Talking of CDBaby, the latest Phoenix New Times has a good feature on this estimable retailer of the great unsigned : "Nobody here drives a Maserati," a staffer states, reassuringly...

Those rumbustious folk-rockers from Denton, Tx. Little Grizzly play a hometown date with Knife in the Water this Tuesday. As if this wasn't tasty enough, opening the show is touted Austin combo Western Keys who're making friends rather quickly it would seem...

From this week's St.Louis Riverfront Times, another update from planet Nadine: 'The band sent approximately 250 copies of the CD [Strange seasons] to labels and is beginning to get some positive feedback. "We're such a dorky band," Adam Reichmann says, laughing. "We're not even susceptible to trends because I don't even know if we're cool enough to know what's going on. Whenever this thing comes out, it's gonna show up the same way."
   posted by SMc at 9:46 AM |